[Editor · Colorist · Berlin]
Crafting visual narratives With an absolute focus.
Six years editing for brands, labels and independent directors. Story-first, frame-honest, no filler cuts.
Precision tools. Seamless workflows.
01
Offline Editing
Premiere Pro / Avid
Structuring the narrative backbone. Focus on rhythm, emotional pacing, and logical flow across multi-cam setups, documentaries, and commercial spots.
02
Color Grading
DaVinci Resolve / HDR
Look development and precise grading. Manipulating light to serve the story, ensuring color consistency across Rec.709, HDR, and custom LUT workflows.
03
VFX & Compositing
After Effects / Nuke
The final polish. Advanced compositing, clean plating, 2D/3D tracking, and sound design integration to deliver a pristine final master.
04
Audio Post & Mix
Pro Tools / Logic X
Immersive soundscapes. Sweetening, dialogue cleanup, and dynamic mixing to elevate the auditory experience to match the visual fidelity.
05
Creative Direction
Pre-to-Post Strategy
Collaborating early in the process to ensure the visual grammar, shot list, and onset workflow precisely align with the post-production vision.
Precision tools. Seamless workflows.
I
Ingest & rough
DAY 1–2
II
Story assembly
DAY 3–5
III
Color & sound
DAY 6–8
IV
Final delivery
DAY –9
Shaping the
current meta.
A tight-knit collective of specialists executing complex narratives with uncompromising precision.
Straightforward.
No hidden fees.
$850
/Project
Ideal for one-off projects or clients seeking essential full story assembly without ongoing commitment.
Full story assembly & cut
Professional color grading (Rec.709)
Basic audio mixing & sweetening
2 rounds of revisions
$3200
/Month
A comprehensive plan tailored for agencies and serious creators seeking advanced features.
All features from the Starter plan
Up to 4 full videos per month
Advanced VFX & Color pipelines (HDR)
Unlimited shorts/reels cutdowns
Priority 48hr delivery on drafts
What clients say after the cut lands.
01 / 03
Shahid’s edit made the film feel expensive without losing the raw emotion. Every cut had intent, and the final grade gave our campaign the exact cinematic weight we wanted.
Maya Brenner
Executive Producer, Luma House
Commonly asked.
What software do you edit on?
How do revisions work?
Can you handle raw RED/ARRI footage?
Where are you based, and do you work remotely?
Do you also do sound design and mixing?
Expertise
Offline Editing
Color Grading
VFX Compositing
Sound Design
Expertise
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